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''Shine Eyed Mister Zen'' is the third album by American blues artist Kelly Joe Phelps, released in 1999. ''Shine Eyed Mister Zen'' was recorded at Phelps' home with all the tracks recorded in single takes. The title relates to Phelps' own description of his way of playing.〔Guitarist Magazine, Jon Jordan, September, 1999〕 ==Reception== 〕 | rev2 =''Freight Train Boogie'' | rev2Score = | rev3 =''The Graham Weekly Album Review'' | rev3Score = (favorable) | rev4 =''No Depression'' | rev4Score = (favorable) }} Writing for Allmusic, music critic Michael Gallucci called the album "an accomplished serving of country blues that combines the sweet and sour power of his guitar playing with the equally bittersweet charge of Phelps' wearied voice... A mystical and unaffected recording."〔 Jim Merkel of ''No Depression'' magazine wrote "Phelps’ songwriting also deserves notice. One would be hard-pressed to tell the originals interspersed among the traditional blues tunes here without looking at the credits. He also can take an old warhorse such as “Goodnight Irene” and strip away its tired reputation to reveal its underlying sense of quiet defeatism... Although subtle and compact, his playing never sacrifices fiery tension."〔 While praising the album, George Graham wrote "Sonically this album is respectable but could be improved upon. It's a bit odd in stereo, with the vocals slightly off to the left and the guitar tending toward the right, instead of having the guitar miked in stereo to give it some depth. The guitar sound, though pleasing, could have been a bit richer and warmer. The dynamic range is decent, though some compression was applied which is audible in spots detracting from the subtleties of this all-acoustic performance."〔 Bill Frater of Freight Train Boogie wrote "This is peerless music that one hears with one's soul as much as with one's ears."〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Shine Eyed Mister Zen」の詳細全文を読む スポンサード リンク
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